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Old Master Paintings Part I
Thursday, 5 December 2019

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Antonio Tempesta, 1555 Florenz – 1630 Rom, zug.
Detailabbildung: Antonio Tempesta, 1555 Florenz – 1630 Rom, zug.
Detailabbildung: Antonio Tempesta, 1555 Florenz – 1630 Rom, zug.
Detailabbildung: Antonio Tempesta, 1555 Florenz – 1630 Rom, zug.
Detailabbildung: Antonio Tempesta, 1555 Florenz – 1630 Rom, zug.
Detailabbildung: Antonio Tempesta, 1555 Florenz – 1630 Rom, zug.
Detailabbildung: Antonio Tempesta, 1555 Florenz – 1630 Rom, zug.
Antonio Tempesta, 1555 Florenz – 1630 Rom, zug.

377
Antonio Tempesta,
1555 Florenz – 1630 Rom, zug.

DIE SCHLACHT ZWISCHEN DEN ISRAELITEN UND AMALEÖl auf Holz. Parkettiert.
95 x 158 cm.
In italienischem goldradierten Rahmen.

Catalogue price € 45.000 - 55.000 Catalogue price€ 45.000 - 55.000  $ 54,000 - 66,000
£ 40,500 - 49,500
元 347,400 - 424,600
₽ 3,878,550 - 4,740,450

Objects of this artist in our June Auctions, Thursday, 24 and Friday, 25 June 2021, from 10 am

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Further information on this artwork

Maler und Kupferstecher, unter Giorgio Vasari (1511-1574) an den Malereien im Palazzo Vecchio in Florenz tätig, ferner an Fresken im Vatikan.

Zwischen Gebirgszügen die Geschichte nach Exodus 17,8-13. Selbst für Antonio Tempesta, der für seine Schlachtengetümmel bekannt war, ein besonders detailreiches Gemälde mit einer großen Vielzahl von teils berittenen Personen, welche polychrom dargestellt sind und sich in verschiedenen Lagen und Höhen des Gemäldes aufhalten und dicht gedrängt eine Schlacht ausführen. (1210748) (13)


Antonio Tempesta,
1555 Florence – 1630 Rome, attributed
THE BATTLE BETWEEN THE ISRAELITES AND AMALEKOil on panel. Parquetted.
95 x 158 cm.
In Italian, gilt-etched frame.

Painter and engraver, active under Giorgio Vasari (1511-1574) painting the Palazzo Vecchio in Florence, furthermore he painted frescoes at the Vatican.

The Bible story according to The Book of Exodus, 17:8-13 is depicted between mountain ranges. Even for Antonio Tempesta, who was renowned for his crowded battle scenes, this is a painting especially rich in detail with a great variety of figures, some of which are mounted on horseback.

This object has been individually compared to the information in the Art Loss Register data bank and is not registered there as stolen or missing.

 

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