Ricerca Ernst Stuven nell’asta
Dipinti XVI - XVIII secolo
giovedì, 30 marzo 2017
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Ernst Stuven,
1657 Hamburg – 1712 Rotterdam
Schüler von Johannes Voorhout (1647-1723), dann Mitarbeit in den Ateliers von Willem van Aelst (1627- um1 683) und von Abraham Mignon (1640-1676) BLUMENSTILLLEBEN Öl auf Leinwand. Doubliert.
77 x 62,5 cm.
Prezzo del catalogo € 50.000 - 70.000
Prezzo del catalogo€ 50.000 - 70.000
$ 54,000 - 75,600
£ 45,000 - 63,000
元 391,000 - 547,400
₽ 4,974,500 - 6,964,300
Wir danken Fred G. Meijer (RKD, Den Haag) für freundliche Hinweise.
Beigegeben ein Gutachten von Prof. Dr. Claus Grimm.
Auf einer steinernen profilierten Plinthe steht ein üppiges fiktives Blumenstillleben von Frühlings-, Sommer- und Herbstblumen in gläserner Vase. Aufgelockert wird die prächtige Komposition unterschiedlichster Blüten von Alba-Rosen, Zwergiris, Pfingstrose, Tulpen, Kapuzinerkresse, Mohn, blaue Ackerwinde, Stockrose, Chrysantheme und das Herbstlaub des Weines, dessen Ränder schon erste Anzeichen des Verwelkens aufweisen. Dieses beliebte Arrangement ist in leichter Variation von der Hand des Künstlers in zwei weiteren Varianten bekannt (vgl. RKD Nr. 116757 und 232684). Gemäß neuesten Erkenntnissen wird das vorliegende und ehemals der Künstlerin Maria van Oosterweijck zugedachte Gemälde Ernst Stuven und seiner Werkstatt zugewiesen.
Provenienz:
Sotheby's, London, 23. Mai 1979, Lot 111 (hier als Simon Verelst).
J. Lehnert, Tübingen (als Maria van Oosterwijck, vgl. Weltkunst, 15. Februar 1980, S. 374 mit Abb.). (10700021) (12)
Ernst Stuven,
1657 Hamburg - 1712 Rotterdam
FLOWER STILL LIFE
Oil on canvas. Relined.
77 x 62.5 cm.
We would like to thank Dr. Fred G. Meijer (RKD, Den Haag) for friendly piece of advice.
Accompanied by a report by Prof Dr Claus Grimm.
Bergström attributes the painting to Maria van Oosterwijck. An opulent flower still life in a glass vase stands on a profiled stone plinth. The magnificent composition is leavened up by a very diverse selection of flowers including roses, irises, tulips and carnations with large leaves. The leaves are starting to wither at the edges. This popular arrangement is known from two versions with slight variations painted by Stuven himself (see RKD no. 116757 and 232684). As a result of recent scholarship, the offered painting, which was formerly believed to be by Maria van Oosterwijck can now be more firmly attributed to Ernst Stuven.
Provenance:
Sothebys London, 23 May 1979, lot 111 (catalogued as the work of Simon Verelst).
J. Lehnert, Tübingen (attributed to Maria van Oosterwijck; see Weltkunst, 15 February 1980, p. 374, illustrated).
This object has been individually compared to the information in the Art Loss Register data bank and is not registered there as stolen or missing.
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