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476
Jean Jacques Henner,
1829 Bernweiler/ Elsass – 1905 Paris
SALOME. LATER VARIANT.Öl auf Leinwand.
99,1 x 66 cm.
Unten rechts signiert „JJ Henner“.
Catalogue price € 45.000 - 50.000
Catalogue price€ 45.000 - 50.000
$ 48,600 - 54,000
£ 40,500 - 45,000
元 351,900 - 391,000
₽ 4,477,050 - 4,974,500
Gemalt ca. 1903. Für Henner typisches Gemälde Salome darstellend als Dreiviertelbildnis in rotem Kleid und geradezu bleichem Inkarnat, sich vor dem dunklen Hintergrund wie eine Lichtgestalt abzeichnend. (†)
Provenienz:
J. J. Carnaud, Frankreich.
Dessen Auktion: Hôtel Drouot, Paris, 31. März 1911, Lot 12, als Hérodiade.
Eugène Camille Lambert (1871 – 1848), Nizza.
María Antonia Netto de Mendilaharsu (1861 – 1949), Nizza und Montevideo, vom oben genannten erworben, 14.04.1924.
Im Erbgang an einen Vorbesitzer.
Literatur:
Gazette de l’Hôtel Drouot, 31.03.1911.
Isabelle de Lannoy, Jean-Jacques Henner 1829 – 1905, École du Louvre, 1986, S. 1165, nicht publiziert.
Isabelle de Lannoy, Catalogue raisonné, Abbeville, 2008, S. 90, C. 898. In Kopie liegt uns eine Emailkorrespondenz mit Isabelle de Lannoy vor, in welcher sie bestätigt „Even if the landscape does not appear in the old black and white image in the catalogue and dimensions are slightly different, it is definitely C.998 (Zahlendreher: 898).“ (1181286) (13)
Jean Jacques Henner,
1829 Bernweiler/ Alsace – 1905 Paris
SALOME. LATER VARIANT.
Oil on canvas.
99.1 x 66 cm.
Signed lower right: “JJ Henner”.
Painted ca. 1903. Typical painting for Henner. (†)
Provenance:
J. J. Carnaud, France.
Its auction at Hôtel Drouot, Paris, 31 March 1911, lot 12, as "Hérodiade".
Eugène Camille Lambert (1871-1848), Nice.
María Antonia Netto de Mendilaharsu (1861-1949), Nice and Montevideo, purchased by the aforementioned, 14 April 1924.
Inherited by a previous owner.
Literature:
Gazette de l’Hôtel Drouot, 31 March 1911.
Isabelle de Lannoy, Jean-Jacques Henner 1829 – 1905, École du Louvre, 1986, p. 1165, not published.
I. de Lannoy, Catalogue Raisonné, Abbeville, 2008, p. 90, C.898. A copy of the email correspondence of Isabelle de Lannoy is enclosed confirming that “even if the landscape does not appear in the old black and white image in the catalogue and dimensions are slightly different, it is definitely C.998 (number error: 898).”
This object has been individually compared to the information in the Art Loss Register data bank and is not registered there as stolen or missing.
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