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Friday, 1 July 2016

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Detail images: Giulio Carpioni, 1611 Venedig – 1678 Vicenza, zug.

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Giulio Carpioni, 1611 Venedig – 1678 Vicenza, zug.
Detailabbildung: Giulio Carpioni, 1611 Venedig – 1678 Vicenza, zug.
Detailabbildung: Giulio Carpioni, 1611 Venedig – 1678 Vicenza, zug.
Detailabbildung: Giulio Carpioni, 1611 Venedig – 1678 Vicenza, zug.

1507
Giulio Carpioni,
1611 Venedig – 1678 Vicenza, zug.

DIE ABREISE DES VERLORENEN SOHNES Öl auf Leinwand. Doubliert.
71 x 87 cm.

Catalogue price € 5.000 - 7.000 Catalogue price€ 5.000 - 7.000  $ 5,400 - 7,560
£ 4,500 - 6,300
元 39,100 - 54,740
₽ 497,450 - 696,430

Das Bibelthema aus dem Evangelium Lukas, Kapitel 15 ist hier in äußerst seltener Weise dargestellt, insofern als gewöhnlich die Heimkehr des verlorenen Sohnes kaum, die Abreise hingegen in der Malerei sehr wohl thematisiert wird. Der Jüngling verlässt hier zu Pferde und in Begleitung von einigen Gesellen das Elternhaus, die Eltern und die trauernde Familie stehen im Türrahmen. Im Vordergrund zwei den Abreisenden begleitende Jagdhunde. Der flächige, nahezu kantige Malstil mit Betonung der Konturen ist typisch für das Werk des Malers, der bekanntlich einige Fresken in Villen des Venetto schuf. (10601414) (11)


Giulio Carpioni,
1613 Venice – 1678 Vicenza, attributed

THE DEPARTURE OF THE PRODIGAL SON

Oil on canvas. Relined.
71 x 87 cm.

Biblical scene from the Gospel of Luke, chapter 15. The episode has been depicted in a very unusual manner in this lot as it is customarily the Return, not the Departure of the prodigal son that is shown in painting. The flat, almost angular manner and emphasizing the contours is typical for the painting style of Carpioni who famously created frescos for the Villas of the Veneto.

This object has been individually compared to the information in the Art Loss Register data bank and is not registered there as stolen or missing.

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