228
Carlo Francesco Nuvolone,
1608/09 – 1661/65, zug.

Beigegeben eine Stellungnahme von Prof. Franco Moro, Piacenza, 8. September 2017, in Kopie. 

Eine dynamische Komposition, die gut in das Schaffen des gebürtigen Mailänders eingegliedert werden kann, der zu den Hauptakteuren des lombardischen Barock gehört. Zunächst studierte er die Werke von Giulio Cesare Procaccini und wandte sich vor allem sakralen, aber auch mythologischen Themen zu, wie die verwundete Dido oder auch Kefalos und Prokris, oder auch wie hier Venus und Adonis mit Jagdhunden nach Ovid (Metamorphosen X, 525 ff.).

Literatur:
Vgl. Filippo Maria Ferro, Nuvolone. Una famiglia di pittori nella Milano del‘600, Cremona 2003. (13300577) (2) (13)



Carlo Francesco Nuvolone,
1608/09 – 1661/65, attributed

VENUS AND ADONIS
Oil on canvas. Relined.
145 x 210 cm.

Accompanied by a statement by Professor Franco moro, Piacenza, dated 8. September 2017, in copy.

This is a dynamic composition which fits in well with the oeuvre of the artist from Milan, who is one of the main protagonists of the Lombard Baroque. He initially studied the works of Giulio Cesare Procaccini and mainly painted religious and mythological subjects, such as the wounded Dido or Cephalus and Procris, or as in this lot Venus and Adonis with hunting dogs. after Ovid (Metamorphoses X, 525 ff.).

Literature:
cf. Filippo Maria Ferro, Nuvolone. Una famiglia di pittori nella Milano del’600, Cremona 2003.

This object has been individually compared to the information in the Art Loss Register data bank and is not registered there as stolen or missing.