Auction Old Master Paintings - Part I
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348
Agostino Verrocchi,
1586 Rom – 1659, zug.
Stillleben mit Feigen, Trauben, Kirschen und
einer TaubeÖl auf Leinwand. Doubliert.
84 x 100 cm.
In teilvergoldetem gemustertem Rahmen.
Catalogue price € 35.000 - 40.000
Catalogue price€ 35.000 - 40.000
$ 37,800 - 43,200
£ 31,500 - 36,000
元 273,700 - 312,800
₽ 3,482,150 - 3,979,600
Auf einer profilierten Steinplatte liegt ein großer Zweig mit reifen Feigen, daneben ein Korb mit Feigen und Kirschen, davor Trauben und Kirschen. Links am Rand auf einem Vorsprung der Platte hat eine Taube Platz genommen. Verrocchio hat sich wohl längere Zeit dem Thema des Stilllebens gewidmet, wobei sein Werk zwischen dem Stil Michelangelo Merisi il Caravaggios (1570/71-1610) und Michelangelo Cerquozzi (1602-1660) vermittelt, der möglicherweise Schüler Verrocchios war.
Literatur:
Vgl. Gianluca und Ulisse Bocchi, Pittori di natura morta a Roma. Artisti italiani 1630-1750, Castello, 2005, La familia Verrocchi et Agostino Verrocchi.
Vgl. Giampaolo Pes, Nuovi documenti su Agostino Verrocchi e la sua cerchia a Roma, in: Luce e ombra. Caravaggismo e naturalismo nella pittura Toscana del Seicento, Ausstellungskatalog, Pontedera, Pisa 2005.
Vgl. Mina Gregori, Notizie su Agostino Verrocchi e un‘ ipotesi Giovanni Battista Crescenzi, in: Paragone XIV, 275, 1973.
Vgl. Alberto Cottino, La natura morta Caravaggesca a Roma, in: La natura morta in Italia, Mailand 1989, Band 2. (1330391) (13)
Agostino VerrocchI,
1586 Rome – 1659, attributed
STILL LIFE WITH FIGS, GRAPES, CHERRIES AND DOVE
Oil on canvas. Relined.
84 x 100 cm.
Literature:
cf. Gianluca and Ulisse Bocchi, Pittori di natura morta a Roma. Artisti italiani 1630 – 1750, Arti Grafiche Castello Viadana 2005, La familia Verrocchi et Agostino Verrocchi.
cf. Giampaolo Pes, Nuovi documenti su Agostino Verrocchi e la sua cerchia a Roma, in: Luce e ombra. Caravaggismo e naturalismo nella pittura Toscana del Seicento, exhibition catalogue, Pontedera, Pisa 2005.
cf. Mina Gregori, Paragone XIV, 275, 1973.
Alberto Cottino in: La natura morta in Italia, Milan 1989, vol. 2.
This object has been individually compared to the information in the Art Loss Register data bank and is not registered there as stolen or missing.
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