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Old Master Paintings - Part II
Thursday, 25 March 2021

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Antonio Balestra, 1666 Verona - 1740 ebenda, und Werkstatt

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Antonio Balestra, 1666 Verona - 1740 ebenda, und Werkstatt
Detailabbildung: Antonio Balestra, 1666 Verona - 1740 ebenda, und Werkstatt
Detailabbildung: Antonio Balestra, 1666 Verona - 1740 ebenda, und Werkstatt
Detailabbildung: Antonio Balestra, 1666 Verona - 1740 ebenda, und Werkstatt
Detailabbildung: Antonio Balestra, 1666 Verona - 1740 ebenda, und Werkstatt
Antonio Balestra, 1666 Verona - 1740 ebenda, und Werkstatt

696
Antonio Balestra,
1666 Verona - 1740 ebenda, und Werkstatt

DIANA UND ENDYMION Öl auf Leinwand. Doubliert.
70 x 140 cm.
In ornamental verziertem vergoldeten Rahmen.

Catalogue price € 15.000 - 18.000 Catalogue price€ 15.000 - 18.000  $ 16,200 - 19,440
£ 13,500 - 16,200
元 117,300 - 140,760
₽ 1,492,350 - 1,790,820

Beigegeben ein Gutachten von Stefano Cribiori, Mailand, 20. Oktober 2020, in Kopie.

Das vorliegende Gemälde ist Bestandteil einer Reihe von Gemälden, die von Antonio Balestra und dessen Werkstatt für den Palazzo Carlotti in Verona ausgeführt wurde. Dargestellt ist die Mondgöttin Selene, die im Römischen mit Diana gleichgesetzt ist, und der in tiefen Schlaf versunkene Endymion, in den sie sich verliebt und Zeus gebeten hatte, ihn in tiefen Schlaf zu versetzen, um seinen Tod zu verhindern und ihm ewige Jugend zu schenken.

Provenienz:
Palazzo Carlotti, Verona.

Vergleiche:
Zwei weitere Gemälde, die zu der Reihe aus dem Palazzo gehören, wurden publiziert in: Ugo Ruggeri, Nuove opere documentate di Antonio Balestra, in: Pittura veneziana dal Quattrocento al Settecento. Studi di Storia dell’ arte in onore di Egidio Martini, Arsenale Editrice, Venedig 1999, S. 187-190. (1261892) (3) (13)

Antonio Balestra
1666 Verona - 1740 ibid., and workshop
DIANA AND ENDYMION 
Oil on canvas. Relined.
70 x 140 cm.
In ornamental, gilt frame.

A copy of the expert‘s report by Stefano Cribiori, Milan, 20 October 2020, is enclosed.

The painting on offer for sale here is part of a series of paintings created by Antonio Balestra and his workshop for the Palazzo Carlotti in Verona.

Provenance:
Palazzo Carlotti, Verona.

Examples of comparison:
Two further paintings that are part of this Palazzo series have been published in: U. Ruggeri, Nuove opere documentate di Antonio Balestra, in: Pittura veneziana dal Quattrocento al Settecento. Studi di Storia dell’ arte in onore di Egidio Martini, Arsenale Editrice, Venedig 1999, pp. 187-190.

This object has been individually compared to the information in the Art Loss Register data bank and is not registered there as stolen or missing.

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