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19th / 20th Century Paintings
Thursday, 24 September 2020

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Josep Tapiro y Baro, 1830/36 – 1913

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Josep Tapiro y Baro, 1830/36 – 1913
Detailabbildung: Josep Tapiro y Baro, 1830/36 – 1913
Detailabbildung: Josep Tapiro y Baro, 1830/36 – 1913
Detailabbildung: Josep Tapiro y Baro, 1830/36 – 1913
Detailabbildung: Josep Tapiro y Baro, 1830/36 – 1913
Josep Tapiro y Baro, 1830/36 – 1913

661
Josep Tapiro y Baro,
1830/36 – 1913

ZWEI MUSIZIERENDE ARABER VOR EINER HÖHLE Öl auf Holz.
20 x 13 cm.
Rechts unten signiert „J Tapiro Roma“.
In vergoldetem Prunkrahmen.

Catalogue price € 17.000 - 25.000 Catalogue price€ 17.000 - 25.000  $ 18,360 - 27,000
£ 15,300 - 22,500
元 132,940 - 195,500
₽ 1,691,330 - 2,487,250

Zwei Araber, davon einer in Rückenansicht, in weißer Kleidung aus Leinen und mit einem blauen beziehungsweise mit einem beigen Tuch um den Kopf, stehen mit ihren Lauten auf steinigem Boden mit kleinen roten Blumen vor einer teils begrünten Grotte, in der ein Paar sitzt. Feine qualitätvolle Malerei.

Provenienz:
Laut altem rückseitigen Aufkleber: Levi Z.
Leiter Collection, Chicago (1883-1934).
Barry Collection (1934-1948).
The Barnes Collection.

Ausstellung:
New York, Metropolitan Museum of Art, Loan Collection of paintings and sculpture in the West Galleries and the Grand Hall, 1881-1883, Nr. 191 (als „The Musicans“). Siehe auch rückseitige Aufkleber. (12401112) (18)


Josep Tapiro y Baro,
1830/36 – 1913
TWO ARABS OUTSIDE A CAVE MAKING MUSIC Oil on panel.
20 x 13 cm.
Signed “J Tapiro Roma” lower right.
In magnificent gilt frame.

Provenance:
According to old label on the reverse:
Levi Z. Leiter Collection, Chicago (1883-1934).
Barry Collection (1934-1948).
The Barnes Collection.

Exhibition:
New York, Metropolitan Museum of Art, Loan Collection of paintings and sculpture in the West Galleries and the Grand Hall, 1881-1883. no. 191 (as “The Musicans”). See label on the reverse.

This object has been individually compared to the information in the Art Loss Register data bank and is not registered there as stolen or missing.

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