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Old Master Paintings - Part I
Thursday, 25 March 2021
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618
Giovanni Baglione,
1566/71 Rom - 1643/44 ebenda
RÃœCKKEHR NACH NAZARETH
Öl auf Leinwand. Doubliert.
100 x 75 cm.
In vergoldetem, ornamental verziertem und punziertem Rahmen.
Catalogue price € 30.000 - 40.000
Catalogue price€ 30.000 - 40.000
$ 32,400 - 43,200
£ 27,000 - 36,000
元 234,600 - 312,800
₽ 2,984,700 - 3,979,600
Anbei eine Expertise in Kopie von Giuseppe Porzio.
Das von Giuseppe Porzio an Giovanni Baglione zugeschriebene Werk ist in dessen Reifephase entstanden, in welcher er caravaggeske Einflüsse und Rückgriffe auf den Manierismus eklektizistisch zusammenfasste. Er vergleicht das Gemälde mit einer Rückkehr der Heiligen Familie, nach der Flucht nach Ägypten, welche in der Basilika Santi Apostoli in Rom verwahrt wird. Voranschreitend wird hier Josef dargestellt, in gelbem weiten Gewand mit weichen Falten, indem er in die hell beleuchtete Zone der dargestellten Landschaft tritt, während Jesus und Maria sich noch mit ihrem hellen Inkarnat, welches auf ihre von innen kommende Erleuchtung anspielen mag, vor einem dunkelbraunen Felsvorsprung mit vegetabilem Bewuchs abzeichnen.
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Anmerkung:
Der vorwiegend in Rom tätige Maler hat sich auch schriftstellerisch betätigt in seinem Werk „Le Vite De‘Pittori, Scvltori Et Architetti“.
Vergleichsliteratur:
Giovanni Baglione, Le Vite De‘Pittori, Scultori Et Architetti: Dal Pontificato di Gregorio XIII. del 1572. In fino a‘tempi di Papa Vrbano Ottauo nel 1642, Rom 1642.
Guglielmi Faldi, Intorno all‘opera pittorica di Giovanni Baglioni, in: Bollettino d‘arte, XXXIX, 1954, pp. 311-326. (1250142) (13)
Giovanni Baglione,
1566/71 Rome - 1643/44 ibid.
THE RETURN TO NAZARETH
Oil on canvas. Relined.
100 x 75 cm.
In ornamental gilt frame.
A copy of the expert‘s report by Giuseppe Porzio is enclosed.
Literature for comparison:
G. Baglione, Le Vite De‘Pittori, Scultori Et Architetti: Dal Pontificato di Gregorio XIII. del 1572. In fino a‘tempi di Papa Vrbano Ottauo nel 1642, Rome 1642.
G. Faldi, Intorno all‘opera pittorica di Giovanni Baglioni, in: Bollettino d‘arte, XXXIX, 1954, pp. 311-326.
This object has been individually compared to the information in the Art Loss Register data bank and is not registered there as stolen or missing.
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