Impressionists & Modern Art
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George Grosz,
eigentlich „Georg Ehrenfried Groß“,
1893 Berlin – 1959 ebenda
HERMAPHRODITE, 1913Tusche und Tinte auf Papier.
19,5 x 29 cm.
Rechts unten signiert „GROSZ“. Rückseitig mit Nachlassstempel und Nummer „1-24-5“.
Gerahmt.
Catalogue price
€ 12.000 - 20.000
Catalogue price € 12.000 - 20.000
(†)
$ 14,040 - 23,400
£ 10,440 - 17,400
元 98,760 - 164,600
₽ 1,077,240 - 1,795,400
Your current bid:
€
Beigegeben eine Echtheitsbestätigung von Ralph Jentsch, Rom/New York, 14. Dezember 2006,
in Kopie.
Provenienz:
George Grosz Atelier, Berlin (1913).
Nachlass George Grosz (1959).
Ronny Van de Velde, Belgien (2004).
Sotheby’s London, Februar 2007, Lot 221.
Privatsammlung England.
Ausstellungen:
George Grosz. The Berlin Years, Peggy Guggenheim Collection, Venedig 1997, Fundación Colección Thyssen- Bornemisza, Madrid 1997, Centre de Cultura Contemporánia, Barcelona 1997/98, Kat.Nr. 60, Abb. S. 21.
George Grosz, Ronny van de Velde, Antwerpen 2005, Kat.Nr. 4 (Abb.).
Allemagne, les années noires, Fondation Dina Vierny – Musée Maillol, Paris 2007/08, Kat.Nr. 60. (14605114) (12)
George Grosz,
also known as “Georg Ehrenfried Groß”,
1893 Berlin – 1959 ibid.
HERMAPHRODITE, 1913
Drawing ink and ink on paper.
19.5 x 29 cm.
Signed “GROSZ” lower right.
Estate stamp and no. 1-24-5 on the reverse.
Accompanied by a certificate of authenticity by Ralph Jentsch, Rome/New York, dated 14 December 2006, in copy.
Provenance:
George Grosz artist’s studio, Berlin (1913).
Estate of George Grosz (1959).
Ronny Van de Velde, Belgium (2004).
Sotheby’s London, February 2007, lot 221.
Private collection, England.Exhibitions:
George Grosz. The Berlin Years, Peggy Guggenheim Collection, Venice 1997, Fundación Colección Thyssen-Bornemisza, Madrid 1997, Centre de Cultura Contemporánia, Barcelona 1997/98, cat. no. 60, ill. p. 21.
George Grosz, Ronny van de Velde, Antwerp 2005, cat. no. 4 (ill.).
Allemagne, les années noires, Fondation Dina Vierny – Musée Maillol, Paris 2007/08, cat. no. 60.
This object has been individually compared to the information in the Art Loss Register data bank and is not registered there as stolen or missing.
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