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giovedì, 10 dicembre 2015

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Detail images: André Plumot, 1829 Antwerpen - 1906 ebenda

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André Plumot, 1829 Antwerpen - 1906 ebenda
Detailabbildung: André Plumot, 1829 Antwerpen - 1906 ebenda
Detailabbildung: André Plumot, 1829 Antwerpen - 1906 ebenda
Detailabbildung: André Plumot, 1829 Antwerpen - 1906 ebenda
Detailabbildung: André Plumot, 1829 Antwerpen - 1906 ebenda
Detailabbildung: André Plumot, 1829 Antwerpen - 1906 ebenda
Detailabbildung: André Plumot, 1829 Antwerpen - 1906 ebenda

580
André Plumot,
1829 Antwerpen - 1906 ebenda

KÜSTENLANDSCHAFT MIT ZIEGEN UND EINER HIRTIN AM UFER SITZEND Öl auf Holz.
50 x 82 cm.
Rechts unten signiert und datiert "1904". Verso rotes Lacksiegel.

Prezzo del catalogo € 35.000 - 45.000 Prezzo del catalogo€ 35.000 - 45.000  $ 37,800 - 48,600
£ 31,500 - 40,500
元 273,700 - 351,900
₽ 3,482,150 - 4,477,050

Der Maler studierte an der Königlichen Akademie der Schönen Künste in Antwerpen bei Edward Dujardin (1817-1889) und ging später in das Atelier von Nicaise de Keyser (1813-1887). Zahlreiche Werke seiner Hand gelangten in die USA, vor allem in die Sammlungen der Familie Vanderbilt sowie John Davison Rockefeller, aber auch in die Sammlungen des Präsidenten Thomas Woodrow Wilson. Der Maler beschickte mehrmals den Salon in Antwerpen und Brüssel in den Jahren 1849 und 1878. 1876 war er auf der Weltausstellung in Philadelphia vertreten.

Das vorliegende Gemälde zeigt eine Küstenlandschaft, rechts hinten eine Gebäudegruppe über der Meeresbucht erhöht. Realistisch-naturalistische Malweise in schöner Farbgebung und wirkungsvoller Stimmung. Insgesamt in gutem Zustand. (10308310) (11)


André Plumot,
1829 Antwerp - 1906 ibid

COASTAL LANDSCAPE WITH GOATS AND A SHEPHERDESS SITTING ON THE WATERFRONT

Oil on panel.
50 x 82 cm.
Signed and dated “1904“ lower right.
Verso red lacquer seal.

The painter studied at the Royal Academy of Fine Arts in Antwerp under Edward Dujardin and later joined the workshop of Nicaise de Keyser. Numerous works by his hand found their way to the United States, especially to the collections of the Vanderbilt and John Davison Rockefeller families, but also in the collections of President Thomas Woodrow Wilson. The painter exhibited several times at the Salon in Antwerp and in 1849 and 1878 in Brussels. He exhibited at the World Exhibition in Philadelphia in 1876. The present painting shows a coastal landscape with a group of buildings elevated over a bay in the background on the right. The work is painted in a realistic, naturalistic style in beautiful colouration and with effective atmosphere.

This object has been individually compared to the information in the Art Loss Register data bank and is not registered there as stolen or missing.

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