Auction Old Master Paintings - Part I

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Jean-Baptiste Monnoyer, 1636 Lille – 1699 London, zug.

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Jean-Baptiste Monnoyer, 1636 Lille – 1699 London, zug.
Detailabbildung: Jean-Baptiste Monnoyer, 1636 Lille – 1699 London, zug.
Detailabbildung: Jean-Baptiste Monnoyer, 1636 Lille – 1699 London, zug.
Detailabbildung: Jean-Baptiste Monnoyer, 1636 Lille – 1699 London, zug.
Detailabbildung: Jean-Baptiste Monnoyer, 1636 Lille – 1699 London, zug.
Detailabbildung: Jean-Baptiste Monnoyer, 1636 Lille – 1699 London, zug.
Detailabbildung: Jean-Baptiste Monnoyer, 1636 Lille – 1699 London, zug.
Detailabbildung: Jean-Baptiste Monnoyer, 1636 Lille – 1699 London, zug.
Jean-Baptiste Monnoyer, 1636 Lille – 1699 London, zug.

336
Jean-Baptiste Monnoyer,
1636 Lille – 1699 London, zug.

STEINKARTUSCHE MIT EUROPA UND DEM STIER UND BLÜTENFESTONS Öl auf Leinwand. Doubliert.
89 x 71,5 cm.
Auf graviertem Messingschild bezeichnet.
In barockisierendem Rahmen.

Catalogue price € 25.000 - 35.000 Catalogue price€ 25.000 - 35.000  $ 26,750 - 37,450
£ 20,000 - 28,000
元 194,000 - 271,600
₽ 2,337,250 - 3,272,150

Hochrechteckiges Gemälde Europa auf dem Stier nach Ovid darstellend. Das „Bild im Bild“ mit Trompe-l‘œil-Rahmenleiste. Diese in eine bildhauerisch gearbeitete Steinkartusche mit Greifenköpfen und weiblicher Herme gestaltet. Umlaufende, fein gemalte Blütenfestons in starker Chiaro-Scuro-Auffassung. Der Raub der Europa womöglich von anderer Hand in Zusammenarbeit mit dem Blütenmaler entstanden. Rest. (1250806) (13)


Jean-Baptiste Monnoyer,
1636 Lille – 1699 London, attributed
STONE CARTOUCHE WITH THE RAPE OF EUROPA AND FLORAL FESTOONSOil on canvas. Relined.
89 x 71.5 cm.
Inscribed on engraved brass plaque.
In Baroque-style frame.

Portrait format painting of Europa with the bull according to the legend of Ovid. Depiction of a “painting within a painting“ set in a trompe l‘œil frame. Monnoyer, who specialised in flowers, may have collaborated with another artist for the depiction of the Rape of Europa scene. Restored.

This object has been individually compared to the information in the Art Loss Register data bank and is not registered there as stolen or missing.

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