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Impressionists & Modern Art,
19th / 20th Century Paintings
Thursday, 3 December 2020

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Jean-François Millet, 1814 Gruchy – 1875 Barbizon

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Jean-François Millet, 1814 Gruchy – 1875 Barbizon
Detailabbildung: Jean-François Millet, 1814 Gruchy – 1875 Barbizon
Detailabbildung: Jean-François Millet, 1814 Gruchy – 1875 Barbizon
Detailabbildung: Jean-François Millet, 1814 Gruchy – 1875 Barbizon
Jean-François Millet, 1814 Gruchy – 1875 Barbizon

765
Jean-François Millet,
1814 Gruchy – 1875 Barbizon

LA PRÉCAUTION MATERNELLE Schwarze Kreide auf Papier.
28,3 x 22 cm.
Rechts unten signiert „J. F. Millet“.
Im Passepartout, hinter Glas gerahmt.

Catalogue price € 10.000 - 15.000 Catalogue price€ 10.000 - 15.000  $ 10,800 - 16,200
£ 9,000 - 13,500
元 78,200 - 117,300
₽ 994,900 - 1,492,350

Ländlicher Hauseingang, zu dem zwei Stufen hinaufführen, auf und an welchen zwei Kinder stehen, eine Frau sich über das eine Kind beugend. Ein Spaten an der in flottem Duktus wiedergegebenen Hauswand lehnend und deren Existenz somit unterstreichend. Zur Beschreibung nicht geöffnet.

Provenienz:
Sammlung Château de Zaventem.

Vergleiche:
Ausstellung Jean-François Millet, Grand Palais, Paris, 1975-1976, S. 157, Nr. 110, 111, 112 und 114. Alle aufgeführten Vergleichsstücke befinden sich in öffentlichen Sammlungen, wie etwa im Louvre, Paris Inventarnr. R.F. 23599, R.F. 1441 sowie im Museum der Schönen Künste, Budapest. Aufgrund dieser Vergleichsstücke scheint uns eine Zuweisung an den genannten Künstler unter Annahme der Echtheit der Signatur gerechtfertigt. (1251343) (13)


Jean-François Millet,
1814 Gruchy – 1875 Barbizon
LA PRéCAUTION MATERNELLE (MATERNAL CAUTION)Black crayon on paper.
28.3 x 22 cm.
Signed “J. F. Millet” lower right.
Framed with mount under glass.
Not examined out of frame.

Provenance:
Collection Château de Zaventem.

Examples of comparison:
Exhibition Jean-François Millet, Grand Palais, Paris, 1975-1976, p. 157, no. 110, 111, 112 and 114. All listed examples of comparison are held in public collections such as the Louvre, Paris, inv. no. R.F. 23599, R.F. 1441, and Museum of Fine Arts, Budapest. Assuming the signature is authentic and based on these examples for comparison, it seems justified to identify Millet as the creator of this artwork.

This object has been individually compared to the information in the Art Loss Register data bank and is not registered there as stolen or missing.

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