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Old Master Paintings Part I
Thursday, 27 June 2019

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Jacob Gerritsz Cuyp, 1594 Dordrecht – 1652

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Jacob Gerritsz Cuyp, 1594 Dordrecht – 1652
Detailabbildung: Jacob Gerritsz Cuyp, 1594 Dordrecht – 1652
Detailabbildung: Jacob Gerritsz Cuyp, 1594 Dordrecht – 1652
Detailabbildung: Jacob Gerritsz Cuyp, 1594 Dordrecht – 1652
Detailabbildung: Jacob Gerritsz Cuyp, 1594 Dordrecht – 1652
Jacob Gerritsz Cuyp, 1594 Dordrecht – 1652

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Jacob Gerritsz Cuyp,
1594 Dordrecht – 1652

PORTRAIT DER MARGARITA DE VEER MIT HIRTENSTAB Im Oval, Öl auf Holz. Pakettiert.
82 x 68,5 cm.
Rechts mittig signiert und datiert „aetatis J.Cuyp fezit. 1645“.
In dekorativem Rahmen.

Catalogue price € 25.000 - 30.000 Catalogue price€ 25.000 - 30.000  $ 27,000 - 32,400
£ 22,500 - 27,000
元 195,500 - 234,600
₽ 2,487,250 - 2,984,700

Halbbildnis der jungen Frau leicht nach rechts mit hellbrauem schulterlangem Haar, einem roten Kleid mit einer schwarzen Haube mit Goldbordüre und daran befestigten kleinen Blumen. Sie möchte sich als Schafhirtin präsentieren und hält in ihrer linken Hand einen Efeu umrangten Hirtenstab, auf den sie mit ihrer rechten Hand hinzeigt. Feine Malerei vor dunkelbraunem Hintergrund, dabei qualitätvolle Wiedergabe der Physiognomie. Rest.

Literatur:
S. Paarlberg und A. Chong, Jacob Gerritsz Cuyp (1594 – 1652), Dordrechts Museum 2002, S. 138, Nr. 28A.
Biographische Angaben zur Dargestellten liegen von Dr. Zoltan Kovacs in Kopie vor. (1191945) (1) (18)


Jacob Gerritsz Cuyp,
1594 Dordrecht – 1652

HALF-PORTRAIT OF A YOUNG WOMAN WITH SHEPHERD’S CROOK

Oil on panel. In oval. Parquetted.
82 x 68.5 cm.
Signed and dated “aetatis J.Cuyp fezit.1645” at centre right.
In decorative frame.

Fine painting against dark brown background with high-quality depiction of the facial features. Restored.

Literature:
S. Paarlberg and A. Chong, Jacob Gerritsz Cuyp (1594 – 1652), Dordrecht Museum 2002, p. 138, no. 28A.

This object has been individually compared to the information in the Art Loss Register data bank and is not registered there as stolen or missing.

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