Auction Maiolica

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Paar Majolika-Teller
Detailabbildung: Paar Majolika-Teller

570
Paar Majolika-Teller

Durchmesser: 24 cm.
Manufaktur Cerreto Sannita, 18. Jahrhundert.

Catalogue price € 5.000 - 7.000 Catalogue price€ 5.000 - 7.000  $ 6,000 - 8,400
£ 4,500 - 6,300
元 37,800 - 52,920
₽ 425,850 - 596,190

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Further information on this artwork

Paar Teller mit durchbrochen gearbeiteter Fahne. Die Durchbrechungen werden durch schwarze und rote Umrisslinien akzentuiert. Im Spiegel ist ein Wappen, umschlossen von einer Draperie mit Fahnen und Trophäen und überhöht durch eine Krone zu sehen. Das Wappen zeigt auf rotem Grund geometrisch angeordnete Trauben und Blätter. Bemalung in Grün und Gelb, sowie Blau und Braun auf weißem Fond. Sehr schöner Zustand.

Anmerkung:
Das Wappen scheint dem des Dogen Marcantonio Memmo verwandt. Das Dogen-Wappen zeigt in der oberen Hälfte drei blaue Trauben auf Gelb, in der unteren Hälfte drei gelbe Trauben auf Blau.

Literatur:
Teller mit durchbrochen gearbeiteter Fahne, vgl. Vincenzo de Pompeis, "La Maiolica Italiana di Stile Compendiario. I bianchi", Turin, 2010, S. 14, 16, 64.
Eine Crespina mit durchbrochen gearbeiteter Fahne, vgl. Luciana Arbace, "Il Conoscitore di Maioliche Italiane del Rinascimento", Mailand, 1992, S. 192f, Nr. 67. (9300042)


Pair of maiolica dishes
Diameter: 24 cm.
Manufacture of Cerreto Sannita, 18th century.

A pair of dishes with open-work border. The open-work is accentuated by black and red contours. The centre features arms framed by flags and trophies and topped by a crown. The arms show geometrically arranged grapes and leaves on a red ground. Painted in green and yellow as well as blue and brown on a white ground. Very good condition.

Notes:
The arms seem to be related to those of the Doge Marcantonio Memmo. The Doge's arms show three blue grapes on a yellow ground in the upper half and three yellow grapes on a blue ground in the lower half.

Literature:
For a dish with open-work border, see Vincenzo de Pompeis, La Maiolica Italiana di Stile Compendiario. I bianchi, Turin, 2010, pp. 14, 16, 64.
For a crespina with open-work border, see Luciana Arbace, Il Conoscitore di Maioliche Italiane del Rinascimento, Milan, 1992, pp. 192ff., no. 67.

This object has been individually compared to the information in the Art Loss Register data bank and is not registered there as stolen or missing.

 

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