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Joseph Bernard, 1864 Vienne – 1933 Boulogne-Billancourt

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Joseph Bernard, 1864 Vienne – 1933 Boulogne-Billancourt
Detailabbildung: Joseph Bernard, 1864 Vienne – 1933 Boulogne-Billancourt
Detailabbildung: Joseph Bernard, 1864 Vienne – 1933 Boulogne-Billancourt
Detailabbildung: Joseph Bernard, 1864 Vienne – 1933 Boulogne-Billancourt
Detailabbildung: Joseph Bernard, 1864 Vienne – 1933 Boulogne-Billancourt
Detailabbildung: Joseph Bernard, 1864 Vienne – 1933 Boulogne-Billancourt
Detailabbildung: Joseph Bernard, 1864 Vienne – 1933 Boulogne-Billancourt
Detailabbildung: Joseph Bernard, 1864 Vienne – 1933 Boulogne-Billancourt
Detailabbildung: Joseph Bernard, 1864 Vienne – 1933 Boulogne-Billancourt
Joseph Bernard, 1864 Vienne – 1933 Boulogne-Billancourt

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Joseph Bernard,
1864 Vienne – 1933 Boulogne-Billancourt

JEUNE FILLE À SA TOILETTE, UM 1930Höhe: 64,1 cm.
Signiert „J. Bernard", nummeriert 16, Gießerstempel „Valsuani cire perdue Paris".

Catalogue price € 28.000 - 30.000 Catalogue price€ 28.000 - 30.000  $ 32,759 - 35,100
£ 24,360 - 26,100
元 230,440 - 246,900
₽ 2,513,560 - 2,693,100

Bronze, gegossen, patiniert. Auf dem Salon d’Automne 1912 stellte Joseph Bernard erstmals das Gipsoriginal dieser zarten lyrischen Frauenfigur vor, die später in Bronze aufgelegt wurde. Laut einigen Quellen fand der erste Bronzeguss vermutlich 1914 statt.

Literatur:
Vgl. René Jullian und Pascale Gremont Gervaise, Joseph Bernard, Saint-Rémy-lès-Chevreuses 1989, Nr. 182, S. 310. (1450563) (13)



Joseph Bernard,
1864 Vienne – 1933 Boulogne-Billancourt

Jeune Fille a sa toilette, ca. 1930
Height: 64.1 cm.
Signed: "J. Bernard", no. 16, foundry mark "Valsuani cire perdue Paris".

Bronze; cast and patinated. At the Salon d’Automne in 1912, Joseph Bernard first presented the plaster original of this delicate, lyrical female figure, which was later cast in bronze. According to some sources, the first bronze casting was likely executed in 1914.

Literature:
cf. René Julian and Pascale Gremont Gervaise, Joseph Bernard, Fondation de Coubertain, Saint-Rémy-les-Chevreuses, 1989, no. 182, p. 310.

This object has been individually compared to the information in the Art Loss Register data bank and is not registered there as stolen or missing.

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