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Johan-Barthold Jongkind,
1819 Lattrop – 1891 Saint-Egrève bei Grenoble
MONDLICHT ÜBER DEM KANAL IN DORDRECHTÖl auf Leinwand.
33 x 47 cm.
Links unten signiert und datiert.
In breitem ornamental reliefiertem und vergoldetem Rahmen.
Catalogue price € 10.000 - 20.000
Catalogue price€ 10.000 - 20.000
$ 11,700 - 23,400
£ 8,700 - 17,400
元 82,300 - 164,600
₽ 897,700 - 1,795,400
Von Mondlicht erhellte Kanalszene, deren Wellenspiel das Mondlicht wiederspiegelt. Auf dem Kanal ein Segelboot dessen abgetakelten Masten sich vor dem Nachhimmel dezent abzeichnen. Einen Großteil seines Lebens verbrachte Jongkind in Frankreich. Er reiste regelmäßig in die Niederlande wo er sich in der Gegend um Rotterdam inspirieren ließ. Sein lockerer Pinselstrich verleiht seinen Gemälden die Direktheit der Werke der Impressionisten, wenngleich er die Gemälde in seinem Atelier und nicht plein air malte. Manet nannte ihn den Vater der modernen Landschaftsmaler.
Provenienz:
Sotheby‘s, London, 27. Februar 1957, lot 86.
Philips, London, 29. Juni 1987, lot 101.
Sotheby's, New York, 12. Februar 1997, lot 31.
Literatur:
Adolphe Stein, Sylvie Brame, François Lorenceau & Janine Sinizergues, Jongkind. Catalogue critique de l‘oeuvre. Peintures, Bd. I, 2003, S. 237, Nr. 593.
Ausstellungen:
Marlborough Fine Art, London, XIXth and XXth Century French Masters, 19050, Nr. 22.
Terry Engel Gallery, London, Paysages de France, 1963, Nr. 27.
(1421286) (13)
Johan Barthold Jongkind,
1819 Lattrop – 1891 Saint-Egrève near Grenoble
MOONLIGHT OVER THE DORDRECHT CANAL
Oil on canvas.
33 x 47 cm.
Signed and dated lower left.
Provenance:
Sotheby’s, London, 27 February 1957, lot 86.
Philips, London, 29 June 1987, lot 101.
Sotheby’s, New York, 12 February 1997, lot 31.
Literature:
Adolphe Stein, Sylvie Brame, François Lorenceau and Janine Sinizergues (eds.), Jongkind. Catalogue critique de l’oeuvre, vol. I, Peintures, Paris 2003, p. 237, no. 593.
Exhibitions:
Marlborough Fine Art, London, XIXth and XXth Century French Masters, 1950, no. 22.
Terry Engel Gallery, London, Paysages de France, 1963, no. 27.
This object has been individually compared to the information in the Art Loss Register data bank and is not registered there as stolen or missing.
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